He was sick, yes, and in a sense the story of my friendship with him is simply that I loved a person who was mentally ill. The depressed person then killed himself, in a way calculated to inflict maximum pain on those he loved most, and we who loved him were left feeling angry and betrayed. Betrayed not merely by the failure of our investment of love but by the way in which his suicide took the person away from us and made him into a very public legend … If you happened to know that his actual character was more complex and dubious than he was getting credit for, and if you also knew that he was more loveable — funnier, sillier, needier, more poignantly at war with his demons, more lost, more childishly transparent in his lies and inconsistencies — than the benignant and morally clairvoyant artist/saint that had been made of him, it was still hard not to feel wounded by the part of him that had chose the adulation of strangers over the love of the people closest to him.
Jonathan Franzen | On David Foster Wallace | Farther Away, The New Yorker, April 18, 2011
via Vulture
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